Review

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The Boys Season 4 kicks off strong with an epic 3-episode opening

“You had a clean shot at him, right? With Soldier Boy? You didn’t take it. Was your eye on the ball?“ The highly anticipated fourth season of The Boys has finally debuted on Prime Video today, and it kicks off with a bang, releasing the first three episodes at once. The show continues its tradition of blending dark humor, biting satire, and (head-)explosive action. As the show edges closer to its conclusion, with a confirmed final fifth season, its penultimate season opening set the stage for what promises to be an intense ride. Season 4 opens with a gripping 16-minute intro that sets the tone for the rest of the season. New VP-elect Victoria Neuman delivers victory speeches on election night, the perfect opportunity for The Boys to attempt to take her down. With Neuman’s daughter Zoe’s newly developed powers – snakes shooting out of her face (after being injected with Compound-V last season) – and Butcher being a liability for the team due to his terminal illness, their mission quickly fails, making Neuman seem more indestructable than ever. However, this isn’t the only thing the team struggles with this season. The episode carefully lays out each character’s subplots: Billy Butcher (Karl Urban), haunted by hallucinations of his dead wife and the constant reminder of his limited time, becomes increasingly desperate and reckless, to Mother’s Milk’s dismay. At his wits end, M.M. ends up kicking him off the team, despite Hughie’s pleas to let him stay. New character Joe Kessler (Jeffrey Dean Morgan) serves as a reminder to keep his eyes on what really matters: saving the world. Yet Butcher desperately wants to save Ryan from Homelander’s influence and keep people from turning him into a weapon, and he tries everything in his power to convince him to leave his biological father. Speak of the devil, Homelander suffers from a midlife crisis, getting older and dealing with the with the pushback from the masses after committing a murder (from which he unsurprisingly gets proven innocent) is getting on his last nerve. Nobody in the Seven challenges him anymore and his son Ryan is struggling with the morality of Vought and the Supes. In his manic panic, Homelander seeks out Sister Sage (Susan Heyward), whose superpower is being the smartest person in the world. She comes up with a plan for his new success story and eventually joins the Seven. It is not clear what her true motives are, however she seems to be manipulating everyone at Vought. A truly intriguing new addition to the story, there must be more to her willingness to work alongside Homelander. Meanwhile, Annie January (Starlight) is still trying to reclaim her identity, but when questions of leadership for the Starlighters arise, she faces an internal conflict that ultimately makes her decide to make her comeback. Fan-favorite duo Frenchie and Kimiko both face their pasts to move forward. Frenchie starts a rushed romance with Colin, a fellow Narcotics Anonymous member, and struggles with revealing that he killed Colin’s family in his past. Hopefully the show will allow for more room for this arc, as it unfortunately seems very rushed and shallow. Kimiko decides the best way to deal with her traumatic past is to confront it head-on, leading to some of the episode’s most intense and iconic moments. Hughie grapples with guilt and anger after his father suffers a stroke, compounded by the appearance of his estranged mother, who adds little energy to the show thus far. The show’s humor remains sharp and unapologetic: The Deep continues to be a source of comic relief, with Tilda Swinton’s cameo as his octopus girlfriend, Ambrosius, being particularly hilarious. Noir’s Vessel has found a new host who finally talks (although he shouldn’t) and delivers a few hilarious one-liners. By now, it shouldn’t even be a surprise to see an auto-erotic depiction of the human centipede on our screens, but Kripke’s creativity surely remains intact. The ability of The Boys to draw parallels to real-world events is as strong as ever. From the January 6th Capitol storming to satirical takes on the Amber Heard-Johnny Depp trial, the series doesn’t shy away from controversy. New addition to the Seven, “Firecracker”, serves as a caricature of alt-right conspiracists. The self-aware nature of the show allows it to walk this fine line effectively. Antony Starr’s acting performances remain some of the strongest on television today. His delivery and micro-expressions continue to captivate. Season 4 of The Boys continues to deliver its unique blend of dark humor, social commentary, and high-octane action, making it a must-watch for fans and newcomers alike. The character development and intricate storylines keep the audience engaged, while the show’s willingness to tackle controversial topics head-on ensures it remains relevant and thought-provoking. With just one season left, the groundwork laid in this season promises an explosive and satisfying conclusion to a series that has consistently pushed the boundaries of superhero storytelling. You can catch the new season of The Boys with a new episode premiering weekly on Prime Video.

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Review: The Fall Guy – Ryan Gosling and Emily Blunts chemistry is off the charts

“The Fall Guy,” is an unabashed celebration of cinema, a concoction of action, comedy, mystery, and romance set in the pulsating world of stunt professionals. Leitch deftly mixes and matches genres, peppering the film with clever in-jokes and nods to both revered classics and forgotten gems of the past. Check out our Review to Leitchs newest action packed film.

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Luca Guadagninos ‘Challengers’ is sexy, brilliant and truly Irresistible

Luca Guadagninos entertaining new film “Challengers” premiered this week internationally and is receiving incredible critics. As it should. Known for his masterful touch in capturing desire and intimacy (as he did before in ‘Bones and All’ or ‘Call Me By Your Name’), this film immerses viewers in a world where competition extends beyond the court.

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In desperate need of a Pink Opaque adaptation – Review: I Saw the TV Glow

The 90s. Owen (Justice Smith) doesn’t have many friends but once he meets Maddy (Brigette Lundy-Paine) at school he gets drawn into the world of the Pink Opaque, a melodramatic fantasy show that Maddy is obsessed with. The two friends start to meet up more regularly to watch the Pink Opaque together. Over the years they become more anymore obsessed with it until the line between reality and fiction slowly starts to fade.

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Navigating Loneliness in Space: “Spaceman” Review

“Is this how your kind treats feelings of loneliness?” “It’s one way I suppose.” Stuck out in space all by yourself on an important mission. Your wife is not returning any of your calls, and a malfunctioning toilet deprives you of a restful night’s sleep. Suddenly, a mysterious spider-like creature pays you a visit to talk about your life’s most profound turning point. Spaceman, the latest Netflix Sci-Fi Drama by director Johan Renck (Chernobyl), takes audiences on a journey of isolation, introspection, and loneliness in the vastness of space. It is an adaptation by screenwriter Colby Day of the absurdist Czech novel “Spaceman of Bohemia.” Premiering at the Berlin Film Festival as part of the Berlinale Special Gala section, the film introduces us to Czech Astronaut Jakub (Adam Sandler), grappling with loneliness during a lone space mission to investigate purple clouds of glowing particles. The isolation and solitude in space, as well as the radio silence from his pregnant wife Lenka (Carey Mulligan), takes a toll on him and pushes him to the brink of insanity. Peter (Kunal Nayyar), responsible for Jakub’s wellbeing, tries to reason with him to keep the mission under control. As Jakub teeters on the edge of madness, he meets Hanus (voiced by Paul Dano), the spider-like alien who teaches him about the universe’s origins and makes him look at the reality of his troubled marriage. What follows is a narrative that unfolds with a thought-provoking, Kafkaesque touch, presenting a captivating premise that is somewhat predictable – it’s a story about metamorphosis, forgiveness, and discovery of what truly matters to you. Sprinkled in are a few bits of Comedy and satire, jokes that land nicely, but aren’t as consistent as they could’ve been. Adam Sandler, well-known for his comedic expertise, navigates the dramatic landscape with moments of brilliance – especially the passive, quiet scenes were acted out in a very profound way. Carey Mulligan, skilled at delivering powerful performances in tragic female roles, leaves a lasting mark, despite the criminally limited screen time. However, the film sadly doesn’t escape the outdated trope of using women as plot-device for the development of male protagonists. The standout element of the film is Paul Dano’s Hanus, who becomes an unexpected and intriguing companion for Jakub. The initial discomfort induced by the creature’s arachnid appearance quickly transforms into a wholesome presence as it begins empathizing with Jakub and, in human fashion, turns to snacks to soothe the pain. A shared love for Hazelnut spread and the desire to discover more about one another forms a friendship between the two, a highlight of the film. While Spaceman may have its moments of predictability, the film does succeed in creating a thought-provoking exploration of human emotions in the isolating expanse of space. Considering that there wasn’t a whole lot of depth to the narrative and that the most enjoyable moments were those that elicited genuine laughter, I can’t shake the feeling that this would have excelled more as a straightforward comedy film. Spaceman releases on 23 February in limited US and UK cinemas and will be streaming internationally on Netflix by March 1st. Featured Photo Credit: Courtesy of Netflix © 2023.

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love lies bleeding

Rose Glass presents a beautifully queer noir thriller in ‘Love Lies Bleeding’: A Review

The things we’d do for love. Separate the egg yolk from the white. Clean after her. Make sure she feels good and loved. Scrub off your brother in law’s blood from the walls. Cover up a murder for her? After making its debut at Sundance Film Festival, ‘Love Lies Bleeding’ made an additional appearance at the Berlinale. Rose Glass is no stranger to the Berlinale. Seven years ago, she participated in the Berlinale Talents summit as a writer and director. This time her new film is part of the Panorama section at the film festival. The film unfolds the story of Jackie (Katy O’Brian), an aspiring bodybuilder en route to a Las Vegas competition. Before she can compete, she stumbles upon a small town in New Mexico and falls in love with Lou (Kristen Stewart), the manager of a local gym. What sounds like the beginning of a love story quickly turns into a violent tale of passion, crime, and unforeseen consequences. The film thrives in its unpredictable narrative: From gory scenes in living rooms to Kristen Stewart dragging a body down her apartment’s porch in broad daylight. The film hits you with one element after the other without it getting too much to handle.There was not one moment of boredom in Rose Glass’ beautifully queer noir thriller. In its center is a story of love. The aspect of gore and the crimes themselves seem  incredibly secondary. The audience is so hooked on the couple ever since they laid eyes on one another. “Love Lies Bleeding” offers a mesmerizing Sound Design by Paul Davies. It’s being used as a motif to direct the narrative seamlessly throughout the entire movie. Loud Gunshots, the cracking of bones or the eerie spurts of muscle growth serve as transitions to pull the audience right from one scene into the other. In the age of streaming, it’s easy to wait for the VOD to be released, but this film’s sound was created for an intense and breathtaking theatrical experience, so unless you’re particularly jumpy, we recommend watching this one on the big screen to get the full effect.   The chemistry between Kristen Stewart’s Lou and Katy O’Brien’s Jacky ignites the screen with palpable intensity, particularly during the film’s steamy romantic encounters. The sex scenes are sizzling. Their love blossoms amongst chaos.  Stewart has effortless charisma and coolness. Demonstrating her expansive rage in acting while O’Brien seems radiating every time she is seen on screen. Making these two characters fully their own.  ‘Love Lies Bleeding’ is a nostalgic, thrilling ride from start to finish, offering an intoxicating mix of dark humor, revenge-fantasies and desire, packed into a rich, pulpy story filled with countless unexpected twists and surreal-esque elements.  Love Lies Bleeding is set to hit US theaters on March 8 and UK theaters on April 19 (courtesy of Lionsgate). Image credits: Anna Kooris & A24

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