Reviews

love lies bleeding

Rose Glass presents a beautifully queer noir thriller in ‘Love Lies Bleeding’: A Review

The things we’d do for love. Separate the egg yolk from the white. Clean after her. Make sure she feels good and loved. Scrub off your brother in law’s blood from the walls. Cover up a murder for her? After making its debut at Sundance Film Festival, ‘Love Lies Bleeding’ made an additional appearance at the Berlinale. Rose Glass is no stranger to the Berlinale. Seven years ago, she participated in the Berlinale Talents summit as a writer and director. This time her new film is part of the Panorama section at the film festival. The film unfolds the story of Jackie (Katy O’Brian), an aspiring bodybuilder en route to a Las Vegas competition. Before she can compete, she stumbles upon a small town in New Mexico and falls in love with Lou (Kristen Stewart), the manager of a local gym. What sounds like the beginning of a love story quickly turns into a violent tale of passion, crime, and unforeseen consequences. The film thrives in its unpredictable narrative: From gory scenes in living rooms to Kristen Stewart dragging a body down her apartment’s porch in broad daylight. The film hits you with one element after the other without it getting too much to handle.There was not one moment of boredom in Rose Glass’ beautifully queer noir thriller. In its center is a story of love. The aspect of gore and the crimes themselves seem  incredibly secondary. The audience is so hooked on the couple ever since they laid eyes on one another. “Love Lies Bleeding” offers a mesmerizing Sound Design by Paul Davies. It’s being used as a motif to direct the narrative seamlessly throughout the entire movie. Loud Gunshots, the cracking of bones or the eerie spurts of muscle growth serve as transitions to pull the audience right from one scene into the other. In the age of streaming, it’s easy to wait for the VOD to be released, but this film’s sound was created for an intense and breathtaking theatrical experience, so unless you’re particularly jumpy, we recommend watching this one on the big screen to get the full effect.   The chemistry between Kristen Stewart’s Lou and Katy O’Brien’s Jacky ignites the screen with palpable intensity, particularly during the film’s steamy romantic encounters. The sex scenes are sizzling. Their love blossoms amongst chaos.  Stewart has effortless charisma and coolness. Demonstrating her expansive rage in acting while O’Brien seems radiating every time she is seen on screen. Making these two characters fully their own.  ‘Love Lies Bleeding’ is a nostalgic, thrilling ride from start to finish, offering an intoxicating mix of dark humor, revenge-fantasies and desire, packed into a rich, pulpy story filled with countless unexpected twists and surreal-esque elements.  Love Lies Bleeding is set to hit US theaters on March 8 and UK theaters on April 19 (courtesy of Lionsgate). Image credits: Anna Kooris & A24

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‘A Different Man’ offering a unique story with captivating performance by Sebastian Stan – Review

After staggering Reviews at the Sundance Film Festival this year, Aaron Schimbergs “A Different Man”, starring Sebastian Stan (“I, Tonya”, “Captain America: the Winter Soldier), had its screening in the Competition of the Berlin Film Festival.

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‘A Different Man’ offering a unique story with captivating performance by Sebastian Stan – Review

After staggering Reviews at the Sundance Film Festival this year, Aaron Schimbergs “A Different Man”, starring Sebastian Stan (“I, Tonya”, “Captain America: the Winter Soldier), had its screening in the Competition of the Berlin Film Festival.

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Berlinale 2024: Hunter Schafer delivers splendid performance in ‘Cuckoo’

In “Cuckoo,” Gretchen (Hunter Schafer) embarks on a journey to the German Alps with her father and stepmother, seeking a tranquil retreat. However, her idyllic vacation takes a dark turn when she stumbles upon ominous secrets in the holiday resort. Strange noises echo through the Alpine landscape, and Gretchen is haunted by unsettling visions featuring a mysterious woman. As she delves deeper, she becomes entangled in a conspiracy linked to the bizarre experiments of the resort owner, stretching back through generations. Tilman Singers film premise is promising: set against the backdrop of the scenic German Alps, with Hunter Schafer taking on the lead role. However, as the narrative unfolds, “Cuckoo” struggles to execute its story effectively, getting stuck in its own maze of twists and plot holes that make it challenging and frustrating for the audience to keep up. The first half of the movie proved to be way more compelling than the latter, which seemed to drag on unnecessarily and resulted in a predictable and unsatisfying ending. One saving grace was Hunter Schafer’s splendid performance, she managed to add a lot of depth and emotion into her character, providing a much needed lifeline for the film. She seamlessly fits into the horror genre, bringing an unexpected yet captivating dimension to her performance in “Cuckoo.” Proving that she’s not only very skilled in drama, but also a natural fit for horror films, and I hope we see her lean into the genre more in the future. The cinematography was beautiful and really enhanced the visual experience. The music and sound design also contributed to the eerie atmosphere. In conclusion, “Cuckoo” displayed creative potential but sadly fell short in its realization and disappoints in its execution. -Mel

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Cillian Murphy shines in a whole new light in ‘Small Things Like These’ (Review)

The Berlinale has officially kicked off with the world premiere of Small Things Like These, produced by and starring Cillian Murphy. It is also the first Irish film to open the festival. Director Tim Mielants brings Claire Keegan’s novel to life. Set in 1985, Ireland, the story revolves around Bill Furlong, a hardworking coal merchant striving to provide for his family. Furlong, portrayed by the talented Cillian Murphy, is a humble and simple man with clear principles. The story takes a poignant turn when he stumbles upon the Catholic Church’s exploitation of “fallen girls.” This revelation forces him to confront his values, setting the stage for a powerful exploration of morality and the broader human experience. Academy award nominated actor Cillian Murphy delivers a nuanced and compelling performance, capturing Bill Furlongs complex nature and inner conflict in a way we haven’t seen before, making his portrayal stand out as a testament to his versatility as an actor. But his is not the only performance that stands out. The strong female-led performances by Eileen Walsh, Michelle Fairley, Emily Watson and Clare Dunne are equally as powerful and add layers of depth to the film’s emotional landscape. Cinematically, this film is beautifully shot, Mielants creates a visually stunning backdrop for the emotionally charged narrative, showcasing its contrasting themes with excellent lighting and shadows. Switching between warm and cool colors, that sometimes come off as quite intense, they pull you right out of a scene and into the next. The sound, designed by Senjan Jansen, stands out as we can hear every one of Bill Furlong’s breaths, church bells ringing in the background and a gaggle of geese, making for an immersive experience for the viewer. While the film may have its moments of being a bit slow-paced and understated, leaving me yearning for more exploration of specific elements, it’s precisely this humbleness what makes it stand out. With an incredible screenplay deeply rooted in Irish history, the film skillfully tackles the sensitive themes surrounding the abuse of power by notorious institutions that took in pregnant girls and forced them to do unpaid manual labour. When I stepped out the theatre, I heard people question the decision of making ‘Small Things Like These’ this year’s opener. But I believe it was a perfect choice to represent what the Berlinale is about. The film not only engages but also challenges, creating a connection that transcends the screen and lingers with you for quite a while. -Mel

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Review: Exploring Life and Death in Miyazaki’s ‘The Boy and the Heron’

Things change once Mahito meets this mysterious and rather creepy talking heron. A heron that keeps on telling him that his mother is still alive. That he just needs to follow him to find the truth. Once his aunt disappears young Mahito takes the challenge and follows the bird to a world between life and death. 

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Review: Barry Keoghan captivates audience in Saltburn

Emerald Fennell’s second feature film takes you into a world of intrigue, wealth and hidden danger. We get to know Oliver (Barry Keoghan), a student at Oxford University who struggles to find his place among his peers. He finds himself fascinated with aristocratic Felix (Jacob Elordi) and begins finding ways to earn his trust and friendship.

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Review: May December

In a mesmerizing blend of raw performances and unnerving storytelling, May December delivers an experience that lingers long after the credits roll. The cast, led by Natalie Portman, Julianne Moore and Charles Melton’s riveting portrayals is for sure going to sweep some awards this season. The plot is loosely inspired by the controversial Mary Kay Letourneau and Vili Fualaau case. Disturbingly, this film draws you into its compelling narrative with its eerie atmosphere and tension that feel akin to one, amplified by Todd Haynes’ masterful direction. Portman’s character Elizabeth is an actress who is trying to prepare for a role for a future true crime movie by getting awfully close to her study objects, Gracie (Julianne Moore) and her husband Joe (Charles Melton). Piece by piece, we learn the horrifying details of what occurred in this marriage. Todd Haynes’ film tries to critique the true crime entertainment industry while ironically drawing the audience into its own exploration of the same subject matter. Like previously mentioned, the cast of this film delivers incredible performances that feel real and haunting. While we are actually seeing adults in a very serious situation, it feels like we’re watching kids in adult bodies – deliberately and involuntarily. Natalie Portman has a memorable monologue in this, representing the lack of empathy that actors in the industry often have when faced with roles based on true crime events. Melton in particular stands out with his meticulous mannerisms and carefully chosen body language symbolising stolen innocence. While the acting in May December is horrifyingly realistic to the tragic true story its based on, the music and the color coding remind you of a cheery 80s sitcom, which may be why this movie is often seen as camp or even going as far as calling it a comedy. Through the symbolism of the monarch butterfly, a hobby of Joe’s, the film manages to tell us more about what he goes through – starting off as caterpillars and transforming into one of the rarest butterflies until they can finally be free. This is something Joe relates to and works as a direct parallel to his situation. Gracie however constantly dismisses the butterflies as bugs, downplaying their struggles and uniqueness. The film captures the loss of time and sentiments of trauma and abuse in a way that stays with you even after a couple days of having seen it. With its deliberate anticlimactic and unsettling ending, May December stays true to the harsh realities of lives like Joe’s, where justice often eludes those failed by systems and society. The film is currently streaming on Netflix.

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David Tennant’s Final Bow Before Ncuti Gatwa Takes Center Stage for Doctor Who

In a display of time and emotion, the Doctor Who universe is set to witness a remarkable event – the triumphant return of David Tennant and Catherine Tate to the TARDIS. As the iconic Tenth Doctor, Tennant left an indelible mark on the hearts of fans worldwide, and graces our screens once more in 3(!) special episodes to pass the torch to the incredible Ncuti Gatwa.

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