Reviews

Review: Sofia Coppola’s ‘Priscilla’ Shines a Needed New Light on Elvis Presley

Love me tender, love me sweet, never let me go… Just a year after Baz Luhrman’s ‘Elvis’ (starring Austin Butler) we get a whole different take to this story that throws the narrative Luhrman created upside down.  Sofia Coppola’s newest film ‘Priscilla’ premiered at the Venice Film Festival last night and received a flood of positive reviews. I loved it and I hope you stick with me to tell you why.  Now, Coppola is known to create incredible stories about women. Freeing privileged women from grips. Coppola is also excellent in creating intimacy and capturing human emotions in slow films very well. She’s been at the festival before in 2003 for her screening of ‘Lost In Translation’. With ‘Priscilla’ she dared to write a screenplay that wasn’t for Elvis fans, rightfully so. It questions the relationship 14-year-old Priscilla had with the then already established Rock n’ Roll icon Elvis Presley.  The film looked like what being in love as a teen felt like. All colored in Cotton Candy Colors.  We meet the great Elvis Presley out of Priscillas POV in a military base camp in West Germany. She’s staying with her parents. We see her do homework at a diner until she gets interrupted by older men who approach her and ask her if she wants to join a party. They say they’re friends with Elvis. She must’ve heard of Elvis, right? We see a young girl, introduced to a famous figure she’s in awe of.  Elvis Presley here is played by Jacob Elordi. Some of you might be familiar with his breakout role as Nate Jacobs in Euphoria.  Cailee Spaeny plays young Priscilla. Something that will immediately get the spectators attention is the immense height difference the characters have. Considering that they had a 10-year age gap when he met teenage Priscilla. The image of seeing a tall Jacob Elordi as Presley in front of a much smaller Spaeny in the role of Priscilla, is something that tells a lot without saying it out loud. Especially given that in the scene right before she met him, we see her choose outfits with her mother.  Both Actors did a really good job. Spaeny captures the silent pain Priscilla felt in her relationship so well: nodding, accepting, hoping it might change, while also loving the man she fell in love with back in Germany. Elordi plays the charming but troubled Elvis so well, making the audience understand his actions, but never pity him.   Coppola does not back away to picture Elvis as a turbulent, abusive, manipulative, and insecure man. At the same time, she manages to capture the love he tries to give, and the love Priscilla is feeling in all of this. The relationship is wrong in so many ways, yet the audience gets told why she stayed for so long. It has been a while since I saw an audience gasp together when seeing a man who was adored by so many shed in a different light: telling Priscilla how to wear her hair, how to do her makeup, criticizing her dresses or having outbursts of anger when she does not agree with him.  Priscilla is a story that is important to tell and a film that is important to see, especially to those who’ve seen the romanticized view on Elvis by Baz Luhrman a year before. Maybe this could be a wake-up call for those who refused to listen to Priscillas POV for so long… -Rue

Review: Sofia Coppola’s ‘Priscilla’ Shines a Needed New Light on Elvis Presley Read More »

Review: MAESTRO – A Loving Tribute to the Late Leonard Bernstein’s Story

After last year’s film about Todd Fields fictional Conductor Lydia Tàr, the Venice Film Festival decided to offer the screen another one. This time not fictional though.  A Conductor who was known to be a legend in his work. Now, Leonard Bernstein is a name most of you may have heard of. The brilliant conductor of iconic musicals like “West Side Story”. His music is known to be truly special, and he was certainly one of the best of his time. However, his life – as we learn in Bradley Coopers “Maestro” (2023) – would also be troublesome in many ways.  We begin with following Bernstein (played by Bradley Cooper himself) in his thirties. Recalling his early memories of meeting his wife Felicia (Carey Mulligan) and towards their ups and downs in marriage, while both tried to balance their thriving careers.  Going into the movie, I knew absolutely nothing about Leonard Bernstein. I knew he wrote West Side Story; his name was certainly one I have heard, but never have I paid much attention to his life before. Bradley Coopers film truly made me care so deeply about a family I have just met. Turns out Bernstein was known to be a person who simply had, as the film keeps on repeating, a lot of love to give. Therefore, despite loving his wife, he didn’t hesitate to see other people – especially men who fascinate him as human beings – in romantic ways.  It is very difficult to produce a biopic without idolizing a person too much or turning the narrative against the subject. Cooper manages to look at Bernstein’s ups and downs in a very caring way. Here the audience is never really told what year it is, Cooper tries to make that clear by using specific stylistics such as changing film rations or colors.  The acting is incredible. Especially Carey Mulligan who is just as important to this film as Cooper. She manages to carry the entire second half of the film. They both share a gorgeous dynamic. Mulligan succeeded in making everyone around me grab a tissue at some point. Truly capturing the frustration, anger, hope and love Felicity had felt as well.  While Cooper’s performance as Bernstein was also worth noting and incredibly impressive, the dialect he used could throw one out of the film at times.  Nevertheless, this film proved that Cooper is an exceptional filmmaker. Although it tries to thematize a lot of Bernstein’s life events at once and therefore may lack in pace at times. It is yet a gorgeous film that is worth to be seen and one who was certainly made with the heart at its right place, caring deeply about the Bernstein family. 

Review: MAESTRO – A Loving Tribute to the Late Leonard Bernstein’s Story Read More »

Review: Yorgos Lanthimos’ ‘Poor Things’ Showcases Emma Stone’s Tour de Force Performance

“Cheese to meet you” Yorgos Lanthimos’ newest film, ‘Poor Things’ had its premiere in Venice last night, and it truly turned out to be one of the festival’s highlights so far. The Film revolves around the curious Bella Baxter (Emma Stone) who was brought to life by London’s brilliant scientist Godwin ‘God’ Baxter (Willem Dafoe). He took her in and offered her a home. Explained the world to her and became a parental figure. At the same time, he is keeping her past and her origin a secret. When his student Max McCandless (Ramy Youssef) develops feelings for Bella and agrees to marry her, her adventurous and curious mind takes her to discover parts of the world with Lawyer Duncan Wedderburn (Mark Ruffalo) instead.  The screenplay was written by Tony McNamara, who already worked alongside Lanthimos for ‘The Favourite’. ‘Poor Things’ is funny, intelligent and offers a truly empowering female character who challenges the patriarchic structures of our world.  Everything down to the Production is a masterclass in filmmaking. ‘Poor Things’ offers gorgeous visuals, making this feel like a novel you just cannot put down. The runtime of over 2 hours is barely noticeable.  The film can be utterly eerie and, in many ways, – without saying too much – also very disturbing (which shouldn’t be a surprise for those of you who are familiar with Lanthimos filmography). Nonetheless, it manages to discover emotions, thoughts and processes that make us all human and thematizes growing up and reflecting our world in a very fascinating and original way.  The cast is astounding. Emma Stones is already a talented actress, but this is truly one of the best performances she has given so far. Bella Baxter is adorable and her character development is fascinating to experience. Noticeable is that through the naïve eyes of Bella, we experience an almost Barbie-esque feeling. In many ways it reminded me of Gerwig’s film. Stones’ character asks the right questions, no one else would dare to ask and never accepts things that do not feel right to her. While power-driven men are brought to the edge of sanity, Bella outgrows naivety and becomes a remarkable and self-confident person. Perhaps one of my favorite Female Characters in a long time.  “Poor Things” is a film that should be seen on a big screen. Although it sadly may take some more time until its release due to the current SAG and WGA-strike.

Review: Yorgos Lanthimos’ ‘Poor Things’ Showcases Emma Stone’s Tour de Force Performance Read More »

Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival

I am sure we have all heard of Ferrari. We can picture the red cars. The sounds of the engines. Despite growing up seeing those cars race for the win, I never really paid much attention to their inventor. Nor did I know it was a two-man job between Enzo Ferrari and his wife, Laura Ferrari.  After gracing us with films like Heat (1995) and Collateral (2004), director Michael Mann introduces us to the life of the Ferraris. While the film is mostly centered around Enzo Ferrari (Adam Driver), we get to see a good look into the lives of the people surrounding him as well.  The Film is a biopic, though it tries to back away from its clichés. We know very little about Enzo Ferrari’s childhood and dive into the story 10 years after he and Laura Ferrari (Penelope Cruz) built up their business and became well known figures. Nevertheless, the film at its core thematizes the topic of family. Which is why this turned out to be a positive surprise. Considering this is a movie centered around perhaps the most well-known race cars in the world, one might think the film won’t back away to be exactly that, without deep plot devices or interesting characters. But Michael Mann’s Ferraricares deeply about its source material and the story behind the Ferrari Family.  After seeing films at the Venice Film Festival that offer very poor characterizations of female characters, Mann’s film shines with two very powerful women in the forefront. Penelope Cruz is a force in this. Her scenes, although little, are captivating. She is truly a show stealer, and this may be one of her best performances in a long time.  Shailene Woodley, portraying Enzo Ferrari’s late partner Lina Lardi, gives this dynamic the heart it needs. And for those expecting to see a car race, ‘Ferrari’ does not disappoint either. A very huge event in this film is the Mille Miglia race, that is known to have a huge tragedy on its way. Although the audience can feel that something is about to go wrong, the tension and the feeling it causes in the end, is something one cannot foresee. The Scenes are graphic and seem rather surreal, which makes the fact that this actually really happened even more tragic. When seeing this at the Palabiennale in Venice with a crowded audience, the room turned completely silent. The film manages to explore its characters and offers a compelling storyline. However, one aspect deserving critique is the attempt to talk English with an Italian Accent, executed effectively and subtly by Penelope Cruz, but seemed rather distracting with Adam Driver’s role. Despite that, the cast offers stellar performances.  A film worth seeing on the big screen. From us, ‘Ferrari’ will receive 3 ½ of 5 Stars.

Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival Read More »

Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival

I am sure we have all heard of Ferrari. We can picture the red cars. The sounds of the engines. Despite growing up seeing those cars race for the win, I never really paid much attention to their inventor. Nor did I know it was a two-man job between Enzo Ferrari and his wife, Laura Ferrari.  After gracing us with films like Heat (1995) and Collateral (2004), director Michael Mann introduces us to the life of the Ferraris. While the film is mostly centered around Enzo Ferrari (Adam Driver), we get to see a good look into the lives of the people surrounding him as well.  The Film is a biopic, though it tries to back away from its clichés. We know very little about Enzo Ferrari’s childhood and dive into the story 10 years after he and Laura Ferrari (Penelope Cruz) built up their business and became well known figures. Nevertheless, the film at its core thematizes the topic of family. Which is why this turned out to be a positive surprise. Considering this is a movie centered around perhaps the most well-known race cars in the world, one might think the film won’t back away to be exactly that, without deep plot devices or interesting characters. But Michael Mann’s Ferraricares deeply about its source material and the story behind the Ferrari Family.  After seeing films at the Venice Film Festival that offer very poor characterizations of female characters, Mann’s film shines with two very powerful women in the forefront. Penelope Cruz is a force in this. Her scenes, although little, are captivating. She is truly a show stealer, and this may be one of her best performances in a long time.  Shailene Woodley, portraying Enzo Ferrari’s late partner Lina Lardi, gives this dynamic the heart it needs. And for those expecting to see a car race, ‘Ferrari’ does not disappoint either. A very huge event in this film is the Mille Miglia race, that is known to have a huge tragedy on its way. Although the audience can feel that something is about to go wrong, the tension and the feeling it causes in the end, is something one cannot foresee. The Scenes are graphic and seem rather surreal, which makes the fact that this actually really happened even more tragic. When seeing this at the Palabiennale in Venice with a crowded audience, the room turned completely silent. The film manages to explore its characters and offers a compelling storyline. However, one aspect deserving critique is the attempt to talk English with an Italian Accent, executed effectively and subtly by Penelope Cruz, but seemed rather distracting with Adam Driver’s role. Despite that, the cast offers stellar performances.  A film worth seeing on the big screen. From us, ‘Ferrari’ will receive 3 ½ of 5 Stars.

Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival Read More »

Review: De Angelis’ ‘Comandante’: lacking pace while drawing out a captivating story

Edoardo De Angelis’ ‘COMANDANTE‘ tells the story of the Italian Royal Navy Submarine ‘Cappellini’, or more like tries to give a glimpse into the life of Commander Salvadore Todaro (Pierfrancesco Favino), who sinks an armed merchant ship but then decides to help the shipwrecked Belgians who otherwise would have drowned in the Atlantic Ocean. It was the Opener of the 80th Venice Film Festival.  De Angelis’ 16th film is a war movie and recalls a true story. It definitely offers a premise that has everything laid out for an interesting story. The plot already offers something interesting to look at: A commander who dismisses military laws and helps a group of people who also stated that they wouldn’t have done the same thing for him. We have a conflict that could showcase interesting dynamics. Sadly, it didn’t. Although the Film is gorgeous to look at – the pictures are captivating, there’s a scene underwater where we see a lot of jellyfish passing through while seeing multiple bombs going off in the distance, making war look awfully senseless. There is an ongoing narrative that war is turning humans into vessels and questioning the existence of war in general as an ongoing theme in this. It just wasn’t well executed.   While the characters we got a tiny glimpse of sparked interest, it didn’t quite feel like they dove into their lives deep enough for the audience to truly care. When characters would end up dying, I just didn’t really feel affected by their loss.  I left the theatre feeling not quite satisfied. In my opinion, what didn’t really work was the screenplay and the overall pace in this. The film tried to be so many things at once: an anti-war film, a biopic, a look into the cruel face of war. A Story of hope? It didn’t really know what it wanted to be. I also may need to state that this film mostly laid out that the Italians were the good guys during WWII. There is a scene where Salvadore justifies his good-hearted actions as something he did, because (and this is something the character really said) he is Italian. It feels like this narrative just doesn’t really work, when the audience is aware of the cruelty that has also been going on under Mussolini’s regime.  Pierfrancesco Favino’s performance saves a lot of parts in this movie. Salvadores dialogues feel very patriotic or flat at times, it did the film a huge favor in having a good actor portraying that character.  From us the De Angelis film merits a rating of 2 Stars. Regrettably, it fails to effectively translate the potential of its story to captivate its audience.

Review: De Angelis’ ‘Comandante’: lacking pace while drawing out a captivating story Read More »