Reviews

Review: Yorgos Lanthimos’ ‘Poor Things’ Showcases Emma Stone’s Tour de Force Performance

“Cheese to meet you” Yorgos Lanthimos’ newest film, ‘Poor Things’ had its premiere in Venice last night, and it truly turned out to be one of the festival’s highlights so far. The Film revolves around the curious Bella Baxter (Emma Stone) who was brought to life by London’s brilliant scientist Godwin ‘God’ Baxter (Willem Dafoe). He took her in and offered her a home. Explained the world to her and became a parental figure. At the same time, he is keeping her past and her origin a secret. When his student Max McCandless (Ramy Youssef) develops feelings for Bella and agrees to marry her, her adventurous and curious mind takes her to discover parts of the world with Lawyer Duncan Wedderburn (Mark Ruffalo) instead.  The screenplay was written by Tony McNamara, who already worked alongside Lanthimos for ‘The Favourite’. ‘Poor Things’ is funny, intelligent and offers a truly empowering female character who challenges the patriarchic structures of our world.  Everything down to the Production is a masterclass in filmmaking. ‘Poor Things’ offers gorgeous visuals, making this feel like a novel you just cannot put down. The runtime of over 2 hours is barely noticeable.  The film can be utterly eerie and, in many ways, – without saying too much – also very disturbing (which shouldn’t be a surprise for those of you who are familiar with Lanthimos filmography). Nonetheless, it manages to discover emotions, thoughts and processes that make us all human and thematizes growing up and reflecting our world in a very fascinating and original way.  The cast is astounding. Emma Stones is already a talented actress, but this is truly one of the best performances she has given so far. Bella Baxter is adorable and her character development is fascinating to experience. Noticeable is that through the naïve eyes of Bella, we experience an almost Barbie-esque feeling. In many ways it reminded me of Gerwig’s film. Stones’ character asks the right questions, no one else would dare to ask and never accepts things that do not feel right to her. While power-driven men are brought to the edge of sanity, Bella outgrows naivety and becomes a remarkable and self-confident person. Perhaps one of my favorite Female Characters in a long time.  “Poor Things” is a film that should be seen on a big screen. Although it sadly may take some more time until its release due to the current SAG and WGA-strike.

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Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival

I am sure we have all heard of Ferrari. We can picture the red cars. The sounds of the engines. Despite growing up seeing those cars race for the win, I never really paid much attention to their inventor. Nor did I know it was a two-man job between Enzo Ferrari and his wife, Laura Ferrari.  After gracing us with films like Heat (1995) and Collateral (2004), director Michael Mann introduces us to the life of the Ferraris. While the film is mostly centered around Enzo Ferrari (Adam Driver), we get to see a good look into the lives of the people surrounding him as well.  The Film is a biopic, though it tries to back away from its clichés. We know very little about Enzo Ferrari’s childhood and dive into the story 10 years after he and Laura Ferrari (Penelope Cruz) built up their business and became well known figures. Nevertheless, the film at its core thematizes the topic of family. Which is why this turned out to be a positive surprise. Considering this is a movie centered around perhaps the most well-known race cars in the world, one might think the film won’t back away to be exactly that, without deep plot devices or interesting characters. But Michael Mann’s Ferraricares deeply about its source material and the story behind the Ferrari Family.  After seeing films at the Venice Film Festival that offer very poor characterizations of female characters, Mann’s film shines with two very powerful women in the forefront. Penelope Cruz is a force in this. Her scenes, although little, are captivating. She is truly a show stealer, and this may be one of her best performances in a long time.  Shailene Woodley, portraying Enzo Ferrari’s late partner Lina Lardi, gives this dynamic the heart it needs. And for those expecting to see a car race, ‘Ferrari’ does not disappoint either. A very huge event in this film is the Mille Miglia race, that is known to have a huge tragedy on its way. Although the audience can feel that something is about to go wrong, the tension and the feeling it causes in the end, is something one cannot foresee. The Scenes are graphic and seem rather surreal, which makes the fact that this actually really happened even more tragic. When seeing this at the Palabiennale in Venice with a crowded audience, the room turned completely silent. The film manages to explore its characters and offers a compelling storyline. However, one aspect deserving critique is the attempt to talk English with an Italian Accent, executed effectively and subtly by Penelope Cruz, but seemed rather distracting with Adam Driver’s role. Despite that, the cast offers stellar performances.  A film worth seeing on the big screen. From us, ‘Ferrari’ will receive 3 ½ of 5 Stars.

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Review: Standing Ovation for Michael Mann’s Highly Anticipated ‘Ferrari’ at the Venice Film Festival

I am sure we have all heard of Ferrari. We can picture the red cars. The sounds of the engines. Despite growing up seeing those cars race for the win, I never really paid much attention to their inventor. Nor did I know it was a two-man job between Enzo Ferrari and his wife, Laura Ferrari.  After gracing us with films like Heat (1995) and Collateral (2004), director Michael Mann introduces us to the life of the Ferraris. While the film is mostly centered around Enzo Ferrari (Adam Driver), we get to see a good look into the lives of the people surrounding him as well.  The Film is a biopic, though it tries to back away from its clichés. We know very little about Enzo Ferrari’s childhood and dive into the story 10 years after he and Laura Ferrari (Penelope Cruz) built up their business and became well known figures. Nevertheless, the film at its core thematizes the topic of family. Which is why this turned out to be a positive surprise. Considering this is a movie centered around perhaps the most well-known race cars in the world, one might think the film won’t back away to be exactly that, without deep plot devices or interesting characters. But Michael Mann’s Ferraricares deeply about its source material and the story behind the Ferrari Family.  After seeing films at the Venice Film Festival that offer very poor characterizations of female characters, Mann’s film shines with two very powerful women in the forefront. Penelope Cruz is a force in this. Her scenes, although little, are captivating. She is truly a show stealer, and this may be one of her best performances in a long time.  Shailene Woodley, portraying Enzo Ferrari’s late partner Lina Lardi, gives this dynamic the heart it needs. And for those expecting to see a car race, ‘Ferrari’ does not disappoint either. A very huge event in this film is the Mille Miglia race, that is known to have a huge tragedy on its way. Although the audience can feel that something is about to go wrong, the tension and the feeling it causes in the end, is something one cannot foresee. The Scenes are graphic and seem rather surreal, which makes the fact that this actually really happened even more tragic. When seeing this at the Palabiennale in Venice with a crowded audience, the room turned completely silent. The film manages to explore its characters and offers a compelling storyline. However, one aspect deserving critique is the attempt to talk English with an Italian Accent, executed effectively and subtly by Penelope Cruz, but seemed rather distracting with Adam Driver’s role. Despite that, the cast offers stellar performances.  A film worth seeing on the big screen. From us, ‘Ferrari’ will receive 3 ½ of 5 Stars.

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Review: De Angelis’ ‘Comandante’: lacking pace while drawing out a captivating story

Edoardo De Angelis’ ‘COMANDANTE‘ tells the story of the Italian Royal Navy Submarine ‘Cappellini’, or more like tries to give a glimpse into the life of Commander Salvadore Todaro (Pierfrancesco Favino), who sinks an armed merchant ship but then decides to help the shipwrecked Belgians who otherwise would have drowned in the Atlantic Ocean. It was the Opener of the 80th Venice Film Festival.  De Angelis’ 16th film is a war movie and recalls a true story. It definitely offers a premise that has everything laid out for an interesting story. The plot already offers something interesting to look at: A commander who dismisses military laws and helps a group of people who also stated that they wouldn’t have done the same thing for him. We have a conflict that could showcase interesting dynamics. Sadly, it didn’t. Although the Film is gorgeous to look at – the pictures are captivating, there’s a scene underwater where we see a lot of jellyfish passing through while seeing multiple bombs going off in the distance, making war look awfully senseless. There is an ongoing narrative that war is turning humans into vessels and questioning the existence of war in general as an ongoing theme in this. It just wasn’t well executed.   While the characters we got a tiny glimpse of sparked interest, it didn’t quite feel like they dove into their lives deep enough for the audience to truly care. When characters would end up dying, I just didn’t really feel affected by their loss.  I left the theatre feeling not quite satisfied. In my opinion, what didn’t really work was the screenplay and the overall pace in this. The film tried to be so many things at once: an anti-war film, a biopic, a look into the cruel face of war. A Story of hope? It didn’t really know what it wanted to be. I also may need to state that this film mostly laid out that the Italians were the good guys during WWII. There is a scene where Salvadore justifies his good-hearted actions as something he did, because (and this is something the character really said) he is Italian. It feels like this narrative just doesn’t really work, when the audience is aware of the cruelty that has also been going on under Mussolini’s regime.  Pierfrancesco Favino’s performance saves a lot of parts in this movie. Salvadores dialogues feel very patriotic or flat at times, it did the film a huge favor in having a good actor portraying that character.  From us the De Angelis film merits a rating of 2 Stars. Regrettably, it fails to effectively translate the potential of its story to captivate its audience.

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